PAXsims

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Tag Archives: Derby House Principles

Wrens pioneer synthetic environment training

Everybody’s favourite WW2 Naval war correspondant, AJ McWhinnie, author of many marvellous articles on the Western Approaches Tactical Unit, dropped this tantalising detail in an article for the Liverpool Herald:

AJ McWhinne on Wren-powered VR for anti-aircraft gun training. "Wren operators show the film, which darts across the domed screen.

Which tickled me immensely, seeing as how my day-job is software-dev using VR, mixed/augmented reality for analysis, training & simulation, and wargaming. It’s always nice to know that the things you do have always been done by women, even if the boys would like to make you think otherwise. Like the women who wrote and (literally) knitted the moon lander OS, and Rear Admiral Grace Hopper who among other trivial things like inventing compilers, coined the term “bug” after finding one in her computer:

Rear Admiral Grace Hopper's logbook: "first actual example of bug found" and moth selotaped in.

And then, would you beleive it, I found photographs, while hunting-up evidence of the Bombay Tactical Unit.

Just as the WRINS have fitted into the life and routine of other Naval Specialist Schools, they have also become an integral part of the Naval Gunnery Training Establishment, HMIS Himalaya.

Secretarial duties, assisting Instructors in preparing syllabae, arranging courses, and correcting confidential books and publications of modern theories of Gunnery were taken over by the WRINS when men of the RIN were urgently required for War Service afloat. 

Besides doing office work they also assisted in the actual training of officers and ratings in Gunnery tactics. Theoretical lectures on Aircraft Recognition, High Angle Firing, Ship Recognition, etc were taught with the aid of cinema strips and some of the girls worked the projectors as qualified cinema operators. This was a highly specialised job needing a background knowledge of Electricity and Sound but they soon studied and mastered the technicalities and became proficient in their duties.

Gunnery in its practical aspects was taught at the High-Angle or Anti-Aircraft School which is also a part of the Training Establishment. This is India’s most modern naval school of anti-aircraft training.

Here potential Gunners practised firing at target-towing aircraft and WRINS were employed on Radio Telephones, passing messages to aircraft from control positions and passing orders to gun crews to carry out different forms of drill.

Apart from these jobs WRINS of HMIS Himalaya carried out ordinance duties. They stripped complicated close range weapons and assembled them again after cleaning and maintenance, thus keeping the condition of the arms at the high level of efficiency which is essential for accurate firing and good results.

WRINS and How They Served

This passage in particular delighted me:

They worked the complex precision machines which calculate the speed, range, angle of sight and height of ‘enemy’ aircraft and predict their future movements. This information is transmitted down to the guns by means of electrical transmission units and pointers. When the practices were over the errors in ‘time lag’ and ‘aim-off’ were analysed by the WRIN assistants and later explained to the classes.

Because fire control computers need MEN! WRINS!

But back to the Wren-powered VR:

A RIN rating aims the gun at the dome. Next to him two WRINS operate the projection apparatus.
A WRIN assisting to work an AA training device similar to a 35mm cinema projector. This requires a sure eye and delicate touch. [WRINS and How They Served]

This was the apparatus the charming McWhinnie paragraph described, and I thought I’d go a-hunting for this RCNVR Lt. For about two-and-a-half seconds I was disappointed to find McWhinnie fallible; the Lt was not Canadian, nor had any RCN connections I could find. But frankly who cares WHEN NOW I HAVE VIDEO !!?

Let me introduce to you The Dome anti-aircraft trainer, conceived by Henry Stephens, RN in WW1 and RNVR in WW2. Forty of these devices were built, at sites including HMS Excellent, Portsmouth, HMIS Himalaya, Karachi, and RAF Langham…were the concrete dome has been restored and was the star turn of the BBC One documentary The Dome: A Secret of World War Two in 2015.

You can read the technical specification by Lt Cdr Stephens here. Modern day CAVE and VR synthetic training does not look so different.

And here’s a WAAF operating the RAF Leuchars dome anti-aircraft teacher, because at PAXsims we have both kinds of diversity: Navy and Air Force ;-)

FILM AND PHOTOGRAPHY DURING THE SECOND WORLD WAR (CH 18567) Training films: A member of the Royal Air Force Regiment under instruction in a dome anti-aircraft teacher at RAF Leuchars where a WAAF projects the film of the targets. IWM

Read more about the Derby House Principles for diversity and inclusion in professional wargaming (training & simulation) here.

Royal Indian Naval Tactical Table

PAXsims is delighted to present some recent developments in the WATU story. If proof were ever needed that the Derby House Principles were well-named—over and above the queer Wrens, the RN officers unfit for duty at sea through illness and injury, and Wrens standing watch as Midshipmen on a Destroyer in the Med in 1943, whose diversity is what made WATU great—enter stage right, the Bombay Tactical Unit:

Bombay Tactical Unit WRINS plotting ship movements on the floor. Two are wearing saris, two are westerners in tropical rig.

A huge shout out to Valentina Vitali of the University of East London and her excellent paper, The Women’s Royal Indian Naval Service: Forging the New Woman for Independent India, which provided cultural context and pointed me towards many of the sources.

Pre-1944 RIN officers took their tactical training at Liverpool.

This is Pritam “Peter” Singh Mahindroo:

Lt PS Mahindroo in tropical rig and turban, on parade.

He joined the Merchant Navy at 16, and on the outbreak of war he tried to transfer to the Royal Indian Navy but was denied entry because, being Sikh, he refused to cut his hair. By 1940 he was in, with his turban on, and in 1942 he took the WATU course before escorting ships to the Atlantic Ocean as a Lt on INS Godvari.

A Victory parade was held in London on June 8,1946 in which representatives of the three Indian Armed Forces participated. The senior Indian Naval officer was Commander (later Rear Admiral) A. Chakravarti and the Naval Contingent was led by Lieutenant (later Rear Admiral) P.S. Mahindroo. In keeping with the inter-service seniority in which the Navy was the senior service, the parade was led by the Naval Contingent.

Rear Admiral Mahindroo, who later commanded our first aircraft carrier Vikrant, reminisces on the occasion, “Needless to say, that as a turbaned officer leading the Naval Contingent, I was most prominent and I must have given hundreds of autographs amongst thousands of spectators who probably slept on the pavement for one or two nights to witness this historic parade.

Blueprint to Bluewater
The RIN contingent marching through London in the Victory Parade
Mahindroo, 3rd from the front, centre column.

Formation of the WRINS

Fearing imminent Japanese invasion in 1942, the Women’s Auxilliary Corps (India) formed to free every available shore-man for active duty. In January 1944 the WRINS formally stood up as its naval branch, as the focus of the war turned towards Asia. 

43% of the officers and 77% of the WRINS were Indian, and among the junior officers 80% were Indian. The rest were Anglo-Indians (born in India of British descent; the white ruling class of Empire) and Brits—a combination of women stranded in the Empire by wartime travel restrictions, and women from Britain who signed up to the WRINS instead of the WRNS (applicants who didn’t quite make the cut for the RN were sometimes offered a more favourable position in the RIN, RCN, or other colonial navy…)

[Of course, Indians and Anglo-Indians were British Citizens; that’s how Empire worked. A fact conveniently forgotten by the hostile environment policy and Windrush scandal.]

The WRINS offered opportunities for “intelligent and well educated women and girls when they pass out of their schools and colleges … [for] cultured Indian girls and women … who have the interest and well-being of their country at heart.”

Chief Officer Cooper’s somewhat idyllic view of Empire certainly reflected attitudes of the time:

[Cooper’s spelling] Here Mohammedans, Hindoos, Parsees, Pathans, Anglo-Indians and British lived side by side in harmony, the only allowance made for difference in tase were the meals, two sets being provided.

For the Indian girls it was the experience of a life-time, broadening their outlook, and helping towards emancipation—so important for their future role in India.

During the three-day Mutiny in February 1946 it was significant that the WRINS in all the ports stood fast, and showed no signs of disaffection.

Cooper, Women’s Royal Indian Naval Service

Given that the chief grievance of the mutineers was poor treatment of Indian ratings by white officers, it suggests a white leadership (and of course, it was all white at the top) somewhat out of touch with the recipients of their colonial benificence.

Roshan Horabin, who was turned away from the WAC(I) because pre-1944 “they did not employ native girls,” talks about the class and race tensions at play: 

I was educated at the Cathederal. And in those days there were only 10% Indians and we paid double fees. And although [an Indian] could be a prefect, you couldn’t be a head girl.

Roshan came from the upper-crust of Indian families, and socialised with Baronettes. Even so, she was once challenged by a police officer for using the “European” latrine instead of the “Indian” one.

He said, “These are the rules of the Empire and Indians do not go into British latrines.” People are shocked to hear this, and think Appartheit was only in South Africa. And I say no, in fact it was the whole of the Empire.

In 1942 she joined the Intelligence Division.

We had English people, Germans, French, and Mrs Smith who was a Colonel’s wife, in charge of my section. I think we had four Anglo-Indian ladies but they didn’t talk to Bina [the Honourable Bina Sina] and myself, they just spoke to the European lot. But the English lot talked to Bina and me.

Later when the WRINS began accepting Indian applicants, the Intelligence Division wouldn’t let her go. You can hear the whole of her oral history interview here.

The WRINS were immensley proud of their Tactical Unit contribution. In WRINS and How They Served, a two-page spread is devoted to explaining the purpose and details of the Royal Indian Naval Tactical Unit, while the rest of the book has photographs and only brief captions at-best, glossing over the rest of the WRINS technical duties. (My particular favourite: Cypherettes at work. Because intelligence officers and backing vocalists are so very hard to tell apart…)

The Royal Indian Naval Tactical Unit in Bombay trained officers of the RIN in one of the most thrilling and vital phases of sea warfare—the “Killer Group” tactics that played so large a part in the winning of the Battle of the Atlantic. Modelled on the lines of the Royal Navy’s famous Western Approaches Tactical Unit, this well-equipped establishment had WRINS assisting in the training of future commanding officers of HMI escort vessels.

WRINS and How They Served

Founding the Bombay Tactical Unit.

This is Cdr Arthur King:

Cdr A.F. King

The Tactical Unit was established in Bombay in 1944 and was disbanded shortly after the capitulation of Japan. As I was in charge of this unit it is of some historical interest that my thoughts on it should be recorded.

At the outset I should say that I do not have any clear idea as to why I was given this job. Certainly I never asked for it. But I have, nevertheless, for as long as I can remember, had an interest in naval tactics. This started when at school I read of Nelson’s conduct of his fleet. The positioning of ships to gain maximum advantage over the enemy was only achieved by a clear understanding of what was needed and how to use the elements—sea, wind, sun and moon—to gain the upper hand. A total understanding between the ships’ Captains was essential. Nelson developed this to the full, calling his Captains his “band of brothers”, and fostered this espirit de corps to a fine degree of understanding by calling them all together at every possible moment he could create.

In 1942, standing by HMIS Jumna building on the Clyde, a notice was circulated to COs of all escort vessels that they and their executive officers should attend as convenient at the A/S Tactical School located in Derby House, Liverpool, headquarters of Admiral Sir Max Horton, C-in-C Western Approaches. 

There I met Commander Duncan

And this is the true joy of King’s account for me as a woman: to see the karma of the Williams’ biography of Captain Roberts, which mis-spelled the names of every single WATU Wren, repaid in kind by King persistently mis-remembering Roberts’ name as “Duncan”, and confusing him with his then-XO Lt Cdr Walter Higham, ex-submariner and ranking survivor of HMS Audacity:

There I met Commander DuncanRoberts, a dug out submariner who had been invalided out of the service in 1939 and recalled to set up a school to aquaint the Captains of the many escort vessels—sloops, frigates, corvettes—with the ways of the enemy they were going to face when they got out into the Atlantic, and how to deal with him. Technical schools had already instrcuted people in the mechanics of Asdic and final attack procedure, but they did not then have any experience of the tactics the enemy would use to get into the best position to get at the convoy. DuncanRoberts had made a study of such matters and had the added benefit of his Chief’s submariner’s mind.

The week-long course consisted of very few short lectures. Most of the time was spent playing games and analysing them. The “play area” was a gridded linoleum (has anyone ever seen lino of the quality provided to the Navy?) floor, with the pupils behind screens out of sight of the main plot, positioned at desks and fed with data—some relivant, some irrelivant—of contacts, signals, D/F bearings, etc, from which each had to decided his actions—signals to others, course and speed of his own ship, whether to move towards the convoy or to go to help some other ship in trouble, etc etc. All this was then transfered to the plot on the floor and success or failure resulted. Understanding of how best to achieve the objective of getting the convoy safely through was undoubtedly improved as the week went on. One was better informed of what the Germans were about and how they operated their “Wolf Pack” tactics. Confidence in how to counter-attack was gained. It was Nelson’s band of brothers again.

Then, in 1944,

I was somewhat mystified to recieve instructions to set up a Tactical Unit in Bombay on the lines of the Unit in Derby House Liverpool. The intention was that, as the war in Europe was approaching finality, Churchill and the War Cabinet directed that more effort had to be made against the enemy in the East. 

And so, in July 1944, in company with Lieutenant Ahsan, DSC, and four WRINS—2nd Officers E. Donoghue, E. Staveley, J. West and E.A. Twynham—we set off in a York to fly to Liverpool. DuncanRoberts was still there—actually he spent the whole of the war in this appointment—and for six weeks we understudied him and his team.

Hornby Road, Bombay
Hornby Road in the 1930s

In Bombay we set up shop. Our first location was above Mongini’s Restaurant in Hornby Road. This was all right for operation as it had the space and was properly fitted out, but it was hardly the place to keep confidential books. We were soon found a corner of the dockyard.

VE came and was celebrated. Then some months later Hiroshima and then Nagasaki were attacked by atomic bombs and the war was over.

In the weeks following, we in the Tactical Unit considered what we should do. There was obviously no enthusiasm for VR officers to spend time learning something they would never have to apply in practice. People all around us were just waiting for demoblilisation and getting bored. So we decided to set up demonstrations, using the facility of the large gridded linoleum floor as our stage. We read up on the confidential reports of the major Naval batles of the war and prepared our floor-show. “The Sinking of the Bismarck” and “The Battle of the River Plate” were presented by us in Bombay long before they were made into films! And we had large audiences, weighted from time to time by gold braid. Admirals Godfrey and Rattray both came along to see what we were up to, and made some complimentary remarks at the end of the shows.

Like this, I imagine, only with less YouTube and more pipe-smoking:

Was the Tactical Unit worthwhile? This is difficult to answer. Certinly if the war had developed into a long battle against the Japanese, who up to then had shown every sign of being difficult to move and fanatical in their resolve, then there would have been an enormous increase in military activity in this sphere with all important supplies coming by sea and therefore entirely dependent on Naval supremacy.

The Tactical Unit at Bombay would then have become, as was Liverpool to the Atlantic, the centre for updating intelligence of enemy tactics.

Show me the WRINS!

Oh, dear reader, I can do one better. Please be upstanding for 2nd Officer Staveley (now Puckridge), only the third first-hand account of WATU’s activities by a Wren (WRIN) in existance (Wren June Duncan’s memoire, and Lt Carol Hendry’s oral history being the other two). 

Here are the founding WRINS of the Bombay Tactical Unit: 

Four WRINS arm-in-arm, wearing tropical rig
L to R: 2nd Officers E. Donoghue, E. Staveley (Anne Puckridge), J. West and E.A. Twynham.

Pinch me. I am actually exchanging e-mails with a WATU Wren:

My father had just completed a 6-year Army posting to India when war broke out and we were unable to return to the UK because of the new travel restrictions. I enlisted in the WAC(I) in Bangalore in South India when the local women’s services commenced recruiting (had to back-date my date of birth by a year to qualify).  After a few months in a Recruiting Office, I was asked if I would transfer to the Air Defence Unit, still in Bangalore. Later (sadly I did not keep a diary, so am imprecise about dates) I was asked to move to Cochin to work on Cyphers and from there was sent on an OTC and promoted to 2nd Officer, WR(I)NS.  I was then sent to Liverpool Western Approaches Tactical Training Unit and, on completion of the course, was posted to Bombay to help with setting up a Tactical Unit there. 

On arrival in Bombay from Liverpool I seem to recall working exclusively with the small group who attended the UK course, ie the four of us in the picture, the officer named King and another IAF officer [Lt Ahsan], and a lovely girl from India whose name I can’t recall.

When this was disbanded after VJ Day, I was posted as Personal Assistant to the Chief Staff Officer to the Flag Officer, Bombay, [Capt Nott] for a short while until I was demobbed in 1945.

2nd Officer Anne Puckridge (nee Staveley)
Anne Puckridge wearing her WW2 medals.
2nd Officer Puckridge (nee Staveley), campaigning for ex-Pat pension rights.

That lovely girl from India was 2nd Officer Kalyani Sen:

It was decided that four WRIN officers should be sent to the United Kingdom for a two months’ course at the Anti-Submarine Tactical Course at Liverpool. Those officers on completion of their training were appointed to act as “movers” at the Anti-Submarine Tactical School at Bombay. The Deputy Director WRINS, Chief Officer Cooper and two administrative officers also proceeded to the United Kingdom where they were attached to Women’s Royal Naval Service establishments and training centres for a period of two months to undergo a course of instruction in WRNS methods of administration and training.

The first Indian service woman who visited the United Kingdom was second officer Kalyani Sen, of the Women’s Royal Indian Naval Service. With Chief Officer Margaret Cooper and second Officer Phyllis Cunningham she went there at the invitation of the Admiralty to make a comparative study of training and administration in the Women’s Royal Naval Service.

Royal Indian Navy 1939-1945

Here she is on a ship visit in Rosyth with Chief Officer Cooper:

INDIAN WRENS VISIT ROSYTH, 3 JUNE 1945 (A 29070) Chief Officer Margaret L Cooper, Deputy Director of the Women's Royal Indian Naval Service (WRINS), with Second Officer Kalyani Sen, WRINS at Rosyth during their two month study visit to Britain.
Chief Officer Margaret L Cooper, Deputy Director of the Women’s Royal Indian Naval Service (WRINS), with Second Officer Kalyani Sen, WRINS at Rosyth during their two month study visit to Britain. IWM.

Number One

Who’s that Ahsan chap that King mentions? This guy, in the shorts:

The Bombay Tactical Unit. Three WRINS and a RIN officer in shorts plot ship movements on the floor.
L to R: 2nd Officer Donoghue, 2nd Officer Kelyani Sen, Lt Syed Ahsan, 2nd Officer Staveley

He’s only the future Commander-in-Chief of the Pakistan Navy. Oh, and his service number is PN-007. Nice.

Vice Admiral Syed Mohammad Ahsan

Diversity won the war.

There you have it. Women and minorities forging operational analysis. And casting gears for submarines, too (from Wrens in Camera by Lee Miller. Really stunning and unexpected photos of Wrens onboard ship and other non-clerical duties):

You can read more about the Derby House Principles on diversity and inclusion in professional wargaming here.

Derby House diversity in gaming pins

For those of you who may have seen colleagues wearing Derby House Principles on diversity and inclusion in professional wargaming pins and wondering how to get your own, here’s your chance! We are now selling them in lots of ten for £20 (UK) or USD$30 (rest of world).

Since quantities are limited, email me for further details. Upon payment, they will be dispatched to you through our global network of PAXsims order fulfilment warehouses.

The Derby House Principles on diversity and inclusion in professional (war)gaming can be found here.

Nusbacher Associates endorses the Derby House Principles

Nusbacher Associates has become the latest organization to endorse the Derby House Principles on diversity and inclusion in professional wargaming.

Nusbacher Associates offers Devil’s Advocacy, sound horizon scanning, facilitation, and structured methods of making strategy.

Does your organization wish to support diversity and inclusion in serious games? Email us to find out about becoming a sponsor of the Derby House Principles.

Combat Mission: OP DIVERSITY

Always wanted to be in a video game? Frustrated by the lack of diversity in COTS wargames?

Two British soldiers in a firing position overlooking Red forces in the next field.

This is your opportunity to be the representation you want to see in Combat Mission, a commercially available wargame used by Dstl and wider UK MOD to support analysis. It’s a fully 3D game all the way down to representing individual soldiers… You can see a quick overview here:

In light of the Derby House Principles, Tom Halliday at Dstl has secured support from the developers (Battlefront.com) and publishers (Slitherine) to implement more diverse people into the game. This will include adding BAME and female graphical representations to NATO forces, and providing Dstl the ability to add-in voice acting from diverse people.

That’s where you come in!

We are looking for diverse people to contribute their voice to this initiative. Please spread the word, you do not have to be a wargamer, defence analyst, or service-person. Friends and family are welcome too. Here’s an idea of how the pros do it [warning: language !] in Company of Heroes (we won’t be asking you to swear) if you need some inspiration.

Everyone who contributes will recieve a splendid campaign medal Derby House Pin, and have their voice immortalised within UK MOD wargaming analysis.

Wren teddybear sporting a marvellous Derby House Principles pin

Who do we want to hear from?

Anyone who identifies as a woman:

  • white British
  • non-white British
  • Commonwealth accents
  • another country/ethnicity accents not already covered (even if you’re not British)
  • any other under-represented group (eg LGBT+)

Those who identify as men and are:

  • non-white British
  • Commonwealth accents
  • another country/ethnicity accents not already covered (even if you’re not British)
  • any other under-represented group (eg LGBT+)

Countries the British Army recruits from:

Antigua and Barbuda, Australia, The Bahamas, Bangladesh, Barbados, Belize, Brunei Darussalem. Cameroon, Canada, Cyprus, Dominica, Fiji, Ghana, Grenada, Guyana, India, Jamaica, Kenya, Kiribati, Lesotho, Malawi, Malaysia, Maldives, Malta, Mauritius, Mozambique, Namibia, Nauru, Nepal, New Zealand, Nigeria, Pakistan, Papua New Guinea, Republic of Ireland, Rwanda, Saint Lucia, Samoa, Seychelles, Sierra Leone, Singapore, Solomon Islands, South Africa, Sri Lanka, St Kitts and Nevis, St Vincent and the Grenadines, Swaziland, Tonga, Trinidad and Tobago, Tuvalu, Uganda, United Republic of Tanzania, Vanuatu, and Zambia.

A note on age: as long as you sound like you’re between 18 and 55 you’re in.

What if I can do a few different accents?

If you can record the lines with different accents, that would be awesome. Please do a separate submission for each accent.

Note: this is not an invitation for white people to muscle-in on the representation space. Please no black-face voice acting, or bad approximations of accents that aren’t really yours.

What do I get in return?

  • Your voice acting will be immortalised in Dstl version of Combat Mission, a COTS wargame used by UK MOD.
  • The eternal glory of being part of a short film Dstl is making to publicise the new-and-diverse ORBAT and to celebrate the Derby House Principles in general.
  • The joy/pride/immense satisfaction of knowing you are playing a part in breaking down barriers for BAME and PoC soldiers, analysts, and gamers, by normalising the presence of female and ethnically diverse characters in computer games. Representation matters.
  • A Derby House Principles pin, which looks amazing on a pass lanyard. The Blue Peter Badge of wargaming ;-)

I’m in, how do I do this?

  • with Audacity & mic, or smart phone.
  • *.WAV, or if you’re doing it by smart phone I’ll also accept *.mp3 and *.m3a files (standard output from iPhone and android voice recorder apps)
  • The lines we want you to say are here—there are a lot of lines; say as many as you are able, we can make use of anything we’re sent.
  • Blow-by-blow instructions are here for Audacity and here for any other recording software.
  • Please also complete and return the consent form or we can’t use your voice-recordings.
  • The deadline for submissions is end of October 2020

Really important things to know:

  • Say your lines Clearly, Loudly, As an order and with Pauses please.
  • Hang up a duvet in front or around you when you record if you can. This deadens the echo in the room. It will improve the quality of the audio enormously. There’s a nice demonstration of the effect in this video; you don’t need a fancy blanket, any kind of duvet works.
  • Have a real go at the acting if you can. The best stuff is likely to feature prominently in the film :D
  • Please do record three takes of each line, and doing each a little differently. It really helps us. We can pick the best performance you give us, and it also means we have an alternative for any stray noise/fluffed lines.
  • Please follow the naming convention in the instructions, it’ll make it much easier for us in the post-processing work. If you’re reallyreally struggling, just send me what you can, I’d rather have the voice acting than quibble over technical issues.

I’ve done it, now what?

Once you’ve recorded your lines, drop me an e-mail with a link to the files on your google drive/dropbox/other, or ask me to send you a link to my dropbox where you can upload the files.

Also let me know:

  • where to send your pin
  • what name you’d like us to use to credit your voice acting—if you want to be credited. If you’d rather not be named, you can either supply the most amazing stage name (points will be awarded for good puns) or we’ll put you down under “the wargaming community”.
  • Please complete and return the consent form or we can’t use your voice-recordings.

Combat Mission is becoming increasingly widely used within Dstl and also within wider MoD, such as the Fight Club initiative. This is a great opportunity to promote diversity and drive change in a way which normalises the fact that minorities and women both serve in the British Army. We cannot do this without your support (and the support of your wider friends and family if they want to contribute as well). As a straight, white man as part of a group in Combat Mission of other straight, white men, this is something we are literally incapable of doing ourselves but we really want to help to promote D&I as widely as possible.

Tom Halliday

Data protection and all that jazz:

Once I have your voice acting files,

  • Your name will only be used to credit you in the Dstl film if you choose to be named
  • Your address will only be used to post you a Derby House Pin
  • Your e-mail address will only be used to let you know when the film launches so you can rush out and tell everyone you know
  • Your personal details will be deleted once the above is done
  • Your voice acting files will not include your personal details.

Read more about the Derby House Principles on diversity and inclusion in professional wargaming here.

Derby House Principles icon: a D20 dice, facets in many different colours

Table Top History LLC endorses the Derby House Principles

We’re pleased to announce that Table Top History LLC has become the latest organization to endorse the Derby House Principles on diversity and inclusion in professional wargaming.

At TTH our goals are to make gaming resources available to educators and planners, offer large scale gaming opportunities – both in person and online, share war gaming design techniques, and highlight the great work of other designers, writers and gamers in the professional, commerical, educational, and recreational gaming fields.

Play with us however you roll: combat wheelchair rules for D&D 5e

Dwarf barbarian adventurer with serious attitude in a combat wheelchair. Awesome-looking miniature

You may have noticed that when disability shows up in the media, it’s:

  • Short hand for evil: Bond villains, anyone? Limps, scars, prosthetics, mental illness. The media uses disability to other the bad guy. Not cool.
  • Inspiration porn: the disabled character isn’t a person so much as their tragical experiences are the plot mechanic to spur able-bodied people to become better human beings. Me Before You pretty much takes the biscuit here, but most disability biopics fit this trope through condescension and “good on them for trying”. To quote my frienddon’t say it’s good because I’m dyslexic; say it’s good.
  • The Overcoming Narrative: because the most important thing in the world is for a disabled person to be cured of their disability. All disabilities can be magically cured if it suits the plot! Nobody needs to be ok about disability, because Real People pull their socks up and defeat it.
  • Exceptionalism: a trope common to all marginalised people, that we accept your disability (or blackness, or womanhood, or sexuality, or immigrant-status) if you redeem yourself through exceptional achievement. It’s not all bad, but it’s a toxic message when it’s the only positive portrayal of disabled people. It sends a message that you’re doing your disability wrong if you’re living a perfectly normal, happy and fulfilled life like 99% of the rest of the population.
  • Disability Issues Only: the disabled character only gets to have storylines about being disabled. Because that’s all disabled people do, right? They don’t have lives, or jobs, or partners/spouses and kids *eyeroll*

Like “the Gay Agenda”, folks with disabilities just want to get on with life the same way all you non-disabled folks do: go to work, remember to buy milk, collect the kids from school, and see positive representations of people like them in books, films, TV, and in the games we play.

Which is why I absolutely love the Combat Wheelchair rules and miniatures for D&D 5e:

Screenshot of the opening paragraphs of the combat wheelchair rules in D&D rulebook art work

Sara Thompson has created a ruleset for what’s basically a murderball chair, which levels the playing field for an adventurer with a physical disability: it functions as a basic melee weapon (with ramming, crushing, and side-swiping actions), it laughs in the face of steps and stairs (you know, like able-bodied adventurers do), and has plenty of options for upgrading and levelling-up with your chair as you adventure—mounted combat, being one with your chair as far as spell-casting goes, and pockets.

And Strata Miniatures have made amazing combat wheelchair miniatures to go with it:

Why is that even necessary?

Sigh. If you’re genuinely asking this question, alas dear reader, you have the ableist mindset that sees disability as broken, undesirable, and to be avoided and put out of mind at all costs. Yes, absolutely, disability is hard and frustrating, and at times and in certain situations, limiting (though you’d be surprised how often it’s not the disability that’s limiting, more society, infrastructure and assumptions). But, you know, so is having ginger hair or an Essex accent, or being a woman in a male-dominated field, and nobody is saying “OMG why would you want to play as these things in D&D, what’s wrong with you? Don’t give them the rules, don’t let that be an option.”

I wondered how could I get abled folks to understand and see us as people like them? – Sara Thompson

Everyone plays D&D as a little bit themselves. Why shouldn’t disabled people have the same choice to play as all-the-way-themselves as able-bodied players, if they want to?

One of the ugly things about ableism is the assumption that disability must be eradicated. That’s like saying the cure for racism is to get rid of all the non-white people, which is just about the most offensive idea going. 

I have received death threats, mockery, and vitriol from people who don’t want to understand why this representation is so important – Sara Thompson

Not all disabled people want to be cured of their disability. In part that’s because it’s not an option and it would be a pretty unhealthy mindset to live your life waiting on your legs to grow back, the injury to un-happen, or your genetic code to rewrite itself. 

Then there’s the matter of identity: disability is a part of who you are when you have one, particularly if it’s something you’ve had since birth. Not all of that is good, but excising the disability isn’t a clear-cut thing either. Maybe more akin to amputating your cultural identity. 

And finally, the ableist notion that disability must be cured is based on the idea that a person can’t be happy or fulfilled with a disability, and that s#$t doesn’t happen to able-bodied people alike—it’s like saying poverty is the cause of unhappiness, so rich people must not have any problems… they just have different human issues to deal with. Admittedly, there’s a lot to be said for not going hungry, but having food and money for the rent is necessary but insufficient to a good life.

Which is all to say, that disabled people exist, and they’re not going anywhere, and a lot of the time they’re happy and fulfilled and expect to be accepted in society like any other person on this planet. Which means seeing positive representations of themselves in games, and having the choice to play with core aspects of themselves if they want.

I had a chat with Sara over e-mail:

What led you to coming up with the combat wheelchair rules?

There were a lot of factors that led up to the chair’s creation. I’ve had experiences of asking Dungeon Masters if I could play a disabled character at their tables and was generally met with an awkward “Oh, yeah, there’s no rules for that so you can’t,” or the unsurprising method of “Okay, but you have to take all these negatives and/or penalties,” which isn’t an accurate portrayal of disability/chronic illness/neurodivergency at all.

A lot of my friends are also wheelchair users (both ambulatory and full-time) and it got me thinking about how we never see an adventurer in a wheelchair. We never see disabled folks represented as the capable people that they are – many of us, like me, have jobs and families and responsibilities. Our disability is just a part of us, and I think that able-bodied people don’t understand that. We are often seen as and used for pity or inspiration – there’s a real issue with inspiration porn in the media; look at Queer Eye’s episode about a disabled man, for example.

I wondered how I could represent us in D&D, how could I get abled folks to understand and see us as people like them? 

Already, the average Level 1 character is above the typical NPC villager, so I decided to take inspiration from Paralympians. Essentially, I spent 6-7 months submerging myself into the culture behind wheelchair sports – I recommend to anyone that they watch some Murderball matches; they’re very intense! I made some very rough concept ideas which was Combat Wheelchair v1.0 and took feedback from wheelchair users in the community who play-tested it to tell me what I could do to better reflect a wheelchair inclined towards combat and adventuring. This feedback, along with the design for the basic chair being taken from sports chairs used in Murderball matches, was then put together and written up into what people know as the Combat Wheelchair v2.0 today.

What’s the response been?

The response in general has been overwhelming, regardless of it being good or bad. I never really expected the chair to take off and get as much coverage as it did. I posted it knowing that the people I made it for (wheelchair users and the disabled community) were the ones it would reach and I only cared for their reactions to it – I wanted more than anything to put positive and accurate portrayal of them into a game that has, for the most part, failed them on the representation front for the past 40+ years D&D has been running. But then so many people started RT-ing it, including writers at WotC and Critical Role’s DM Matt Mercer, and it suddenly had a lot of eyes on it.

In general, the response has been positive. For every 1 mean comment are 20 more that have kind words of support. But still, I have received death threats from sock puppet accounts, mockery for being disabled and making an item that doesn’t erase disability, and vitriol from people who don’t want to understand why this representation is so important. It has been a lot, but at the end of the day, it made the people who needed it and who I wrote it for happy, and that’s all that matters to me.

Where would you like to see the hobby in five years?

I would like to see our hobby and communities accept that a lot of the demographic of RPGs is disabled people – they are something disabled folks can play every week and, now that a lot of it has moved online, it’s become more accessible (not entirely accessible though). A lot of disabled people play ttrpgs and it’s time we all step up to acknowledge and work on bettering our games to represent everyone.

Anyone can be an adventurer.

What would you like straight-white-male wargamers to know about gaming from a disability perspective?

Don’t be afraid of disability; open up that dialogue at your tables. Talk to disabled folks about this and learn – there are a lot of free resources out there online for you to learn from. Stop treating representation of disabled folks as a threat and see it as an opportunity to learn, broaden your mindset, and help you become a better DM/GM and player. Disability isn’t a bad thing and it’s time we stop treating it like it is.

This is awesome, what can I do to make my games more inclusive?

The FATE Accessibility Toolkit is a great disability resource. It covers how to make your gaming table accessible to players with disabilities, as well as how to include disability in character design within the FATE system, which also translates well to other systems. You can buy a copy on DriveThuRPG.

If you want to get your learn on about disability culture more broadly, I recommend reading No Pity by Joseph Shapiro, a collection of essays on disability rights and history, and watching Crip Camp on Netflix, which tells the story of the 504 Sit In, the longest non-violent occupation of a U.S. federal building in history: 100 disabled people, supported by the Black Panthers, protested for 26 days for equal access to public services. Fun fact: disability equality is part of the anti-segregation ruling handed down in Brown vs Board of Education.

Read more about the Derby House Principles on diversity and inclusion in professional wargaming here.

CNA Talks: Diversity and inclusion in wargaming

Episode 67 of the CNA Talks podcast addresses the topic of diversity and inclusion in wargaming.

On this episode of CNA Talks, Dr. Chris Ma discusses the Derby House Principles on Diversity and Inclusion in Professional Wargamming with their creators: Dr. Yuna Wong of the Institute for Defense Analyses, Professor Rex Brynen of McGill University, and Sally Davis of the UK Ministry of Defence.

Biographies

Chris Ma Ph.D directs CNA’s Gaming and Integration Team.

Yuna Huh Wong Ph.D is a defense analyst at the Institute for Defense Analyses (IDA). She is a frequent organizer for the Connections Wargaming Conference series, and co-chaired the 2016 and 2017 Military Operations Research Society (MORS) special meetings on wargaming.

Sally Davis is a senior analyst at the Defence Science and Technology Laboratory, part of the UK Ministry of Defence. She writes software in support of analysis, simulation, and wargaming.

Rex Brynen is professor of political science at McGill University, where he specializes Middle East politics, complex peace and humanitarian operations, and serious games. He is senior editor of the conflict simulation website PAXsims (http://www.paxsims.org).

CNA is a cosponsor of the Derby House Principles on diversity and inclusion in professional wargaming.

Mentioned in Dispatches: The Derby House Principles

This week, the Mentioned in Dispatches podcast at Armchair Dragoons is all about diversity and inclusion in wargaming and the intent behind the Derby House Principles.

There’s been many facets of public life that have been touched lately by discussions of diversity and representation in different spheres of public life, and gaming has been no different.  From the cancelation of Origins Online to the Twitter mob stalking designer Eric Lang to GAMA’s comms director quitting to the Diana Jones Awards at GenCon, there’s been a non-stop list of game-industry headlines all summer long.

Enter, The Derby House Principles, promoting diversity & inclusion in professional wargaming. Focused on the practitioner community that designs, executes, evaluates, and teaches the art & science of wargaming in the realms of defense & security policy, national defense, emergency preparedness, and the intelligence communities, the Derby House Principles have been endorsed by a wide array of government and government-adjacent organizations.

While the professional wargaming community is not our focus, it is still an area of interest for much of our audience.  Some of The Dragoons have worked in both the hobby and professional communities, and some professionals will look to hobby sites like us for information on the current practices of the hobby community, or creative approaches to wargaming events.

With that in mind, we reached out to some folks in the professional wargaming world who were well-positioned to discuss and describe not only their own experiences as under-represented minorities in professional wargaming, but also their thoughts on the operationalization of the Derby House Principles.  While neither were officially representing any agency or organization, both Yuna Wong and Sally Davis were have long resumes of experience in the professional wargaming world and their insights made for a fascinating podcast.  Rex Brynen also stops by at the start of the episode to discuss the genesis of the principles and their initial spread among the professional community.

This is a pretty long episode folks – well over an hour – but we didn’t want to cut the discussion short.

You can listen to it at the link at the top. Our thanks go out to Brant Guillory for recording and facilitating the discussion, and his strong support for a more diverse and inclusive hobby and profession.

derbyHouse

CNA endorses the Derby House Principles on diversity and inclusion

We are very pleased to announce that CNA—one of the world’s leading centers of wargame design and practice—is the latest organization to endorse the Derby House Principles on diversity and inclusion in professional wargaming.

CNA President and CEO Katherine McGrady writes:

CNA is committed to building and sustaining a diverse workforce and an inclusive environment. We believe that employees with differing​ frames of reference and ranges of life experiences bring an energy and unique advantage that is essential to delivering on our mission.

At CNA, we believe diversity reflects the world in which we live. Inclusivity creates a dynamic work environment that fosters trust, innovation, and excellence, while providing an atmosphere where every employee feels respected, motivated, and empowered to perform at peak level.

We recognize that wargames benefit from a diverse range of participants, designers, developers, and analysts. Since the best wargames reveal the unexpected, they are always enriched by a diversity of viewpoints.We pledge to carry these values forward in the wargames we execute, consistent with the Derby House Principles.

If your organization would like to be listed as a supporter of the Derby House Principles, email us.

Australian Defence Force Wargaming Association endorses the Derby House Principles on diversity and inclusion

We’re pleased to announced that the Australian Defence Force Wargaming Association is the latest group to endorse the Derby House Principles on diversity and inclusion in professional wargaming, noting that “giving everyone a ‘fair go’ is an integral part of Australian culture, but in challenging times this idea needs champions.”

For more about ADFWGA, see this recent article by Major David Hill or visit their website at the link above.

The need for diversity in wargaming

The following piece was written for PAXsims by Brandon Valeriano. Dr. Valeriano (PhD Vanderbilt University) is the Bren Chair of Military Innovation at the Marine Corps University. He also serves as Senior Advisor for the Cyber Solarium Commission and a Senior Fellow at the Cato Institute. 

PAXsims is a proud cosponsor of the Derby House Principles, and this post is part of an ongoing discussion we hope to encourage on diversity and inclusion in wargaming. If you have something to contribute, get in touch!


My father was a proud Latino. I remember quite early on that I found an old button of his that had the phrase “we don’t need no stinkin’ badges.” It was from Blazing Saddles, a famous scene where the villain gathers up all the scum of the area to harass a local town, including the KKK. The Latinos took their place in line and rejected a need for law enforcement badges.  (The original quote is “we don’t need no badges. I don’t have to show you no stinking badges!” from the Treasure of Sierra Madre

My father explained that ownership of the phrase was a statement of pride, a statement of identify, and a statement of action. While the Latino community is often vilified, they more commonly known as industrious, innovative, and dedicated. The Black community in many ways has similar traits, pride, individuality, and drive. Overcoming negative stereotypes often is more about identifying with the positive rather than focusing on the negatives, therefore, “we don’t need no stinkin’ badges” became a statement of action and identity.  

We need action and awareness of identity issues now more than ever. The recent wave of protests over the death of George Floyd has unleashed an enormous amount of questioning and activism in all communities, and the wargaming community is no different. 

Statements of purpose are important, but action is more critical.  We can do no less because inclusive diversity is critical in the process of developing, testing, and engaging in wargames as a discipline. Perla famously applied the phrase, BOGSAT, “bunch of guys sitting around a table” to wargames. We should revise that statement to BOWGSAT, bunch of white guys sitting around a table. It is critical that wargames engage diverse populations because there should be an accurate reflection of reality in our games and because diversity is associated with better solutions to problems. 

If the purpose of wargames is to engage communities of interest, these communities need to reflect the diversity that is inherent in our political systems. The US military is an incredibly diverse body at the topline (although there are many problems with diversity and promotion). Understanding the application of strategy and tactics is imperative. If those that design, participate, and assess wargames are only from certain ethnic or gendered populations, much knowledge is lost. The process of communication and dissemination of the lessons from wargames requires diverse participation from all groups.  

Even more critical than representation is the need to include diverse populations in wargames because they increasingly are demonstrated to produce better outcomes. Diverse teams are required to solve problems because the groupthink is endemic to the wargaming community. We need people who will think outside the box, who will bring in new and innovative ideas, and who will seek to make the red team experience more real through a difference in play style. 

The goal should be to diversify the wargaming community through example and inclusion. I was literally pulled into the wargame community by hook and crook by my friend and co-author Ben Jensen. He has been working on wargames for over a decade at this point and rarely writes on the subject, preferring to just put things into action. We devised a wargame (or simulation) on national security decision making that has led our team to open new pathways in the field examining escalation pathways through technological innovation

We also helped devise the wargame the Cyberspace Solarium Commission used to evaluate its proposals, along with Nina Kollars and Erica Borghard. Our colleague and friend, Jacquelyn Schneider, devised the wargame that was used to kick off the Solarium Commission

The Krulak Center, my place of work, is incredibly diverse. Our current Director and Deputy Director are female, one is Black. Our incoming deputy director is Latino. Our key point person for wargames with Futures Command was a Latino Major who is now off working on his PhD. Many of our wargaming efforts are led by an Asian American former soldier and now academic. We have put diversity into action and are reaping the rewards. 

There has been a great amount of progress in the field of wargaming lately. With interest from Senior officials like former Deputy Secretary of Defense Bob Work and the current Marine Corps Commandant, initiatives are coming from the top that seek to transform the field.  Yet, we cannot become complacent and fall into the trap of performative diversity. Diversity must be put in action in a real concentrated way to have an impact on outcomes.

Every organization must ask themselves, what are they doing to promote diversity. Awareness is not enough; we need to move beyond simple token statements or “badges” of good feeling and produce action. How diverse is your organization? How diverse are those playing your game? Did you think about a diversity of perspectives and experiences in developing your game? 

Understanding the purpose and need for diversity is critical in our new era of awakening. While this movement was a long time coming, it is now time to put into practice what we have known academically for a long time. Diversity increases outcomes and it provides innovation though differences in thought. Every organization would be better served by recognizing the utility of listening to diverse voices and engaging the differences in perspective that produce enhanced outcomes. We have more than a moral obligation, we have a service obligation to promote solutions to the challenges facing our world through breaking the mold and seeking to value diversity. 

Brandon Valeriano

Defence Academy of the UK calls for diversity and inclusion in professional wargaming

The Defence Academy of the United Kingdom is the latest sponsor of the Derby House Principles on diversity and inclusion in professional wargaming.

The Defence Academy is part of the Ministry of Defence. Our purpose is to develop the intellectual edge needed for success on operations and leadership in government. We deliver courses designed to unlock the cognitive skills of our students to expand their intellectual horizons and capacity. Our portfolio of long and short courses covers leadership, strategy, science and technology, and business skills.

Welcome aboard!

RAND Center for Gaming supports the Derby House Principles

We are very happy to announce that the RAND Center for Gaming is the latest group of serious gamers to endorse the Derby House Principles on diversity and inclusion in professional wargaming.

The Center for Gaming promotes the use of games in research to improve decision-making across a wide range of policy areas. The Center supports the innovative application of gaming, the development of new gaming tools and techniques, and the evolution of existing forms and methods.

The RAND Centre for Gaming is not only a world leader in the development of serious games, but has also done much to support women and other underrepresented groups in professional wargaming.

If your organization would like more information on the Derby House Principles or would like to endorse them, email us here at PAXsims.

Nuts! Publishing endorses the Derby House Principles on diversity and inclusion in wargaming

We’re happy to announce that Nuts! Publishing is the latest gaming company or organization to endorse the Derby House Principles on diversity and inclusion in professional wargaming.

On a personal note, I’m especially happy to welcome Nuts! on board. I use their games (notably Urban Operations) in teaching wargame design. Moreover, they will be publishing We Are Coming Nineveh!, a game exploring the liberation of Mosul from ISIS control in 2017.

I am one of the codesigners of WACN, along with Juliette Le Ménahèze, Harrison Brewer and Brian Train. It was Juliette who first launched the project and drove it forward. Florent Coupeau at Nuts! has been really supportive and encouraging of her efforts as a new, female wargame designer. The Serious Games Network – France, another Derby House Principles signatory, has also been very encouraging to her.

Finally, for those who are wondering: while the pandemic has slowed down the publication schedule, WACN is still on track to be published next year.

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